| Author/Contributor(s): | Alemani, Cecilia; Elderfield, John; Gagosian, Larry |
| Publisher: | Gagosian / Rizzoli |
| Date: | 1/20/2026 |
| Binding: | Hardcover |
| Condition: | NEW |
A pioneering figure of the postwar era, de Kooning probed the expressive potential of color, line, and space and continuously challenged the boundaries between figuration and abstraction. Through the considered placement of late paintings the exhibition foregrounds visual motifs that recurred throughout de Kooning’s career. This approach reflects Alemani’s close investigation of paintings from the 1980s in which she identified an expansive repertoire of human forms—elbows, knees, mouths, eyes—that can be traced as far back as the artist’s works of the 1930s and 1940s that drew on Cubism and Surrealism.
De Kooning often reworked canvases, reincorporating passages from earlier compositions by tracing shapes he wanted to preserve onto vellum, and even changing their orientation multiple times during the painting’s gestation. It was through revisiting and revising his compositions that he developed a consistent but flexible vocabulary of color and gesture rooted in figuration. “A restless explorer of the canvas, de Kooning never stopped interrogating the possibilities of what painting could be,” Alemani notes. The exhibition’s title, Endless Painting, references this enduring, ever-evolving visual language and the artist’s professed decision to “just stop” rather than formally finish paintings. Alemani and John Elderfield explore these concepts in the book and expand on the many possible interpretations of de Kooning’s work.