Theatre History Studies 2017, Vol. 36: Volume 36 (First Edition, First)

Theatre History Studies 2017, Vol. 36: Volume 36 (First Edition, First)

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Author/Contributor(s): Freeman, Sara ; Freeman, Sara ; Appler, Vivian ; Burch, Steven Dedalus ; Chansky, Dorothy ; Colleary, Eric J ; Connelly, Stacey ; Cross, Lezlie C ; Curley, Eileen ; Donkor, David Afriyie ; Epplett, Shannon ; Feldmeyer, Laura Ferdninand ; Forsgren, La Donna L ; Green-Rogers, Martine Kei ; Holden, Nicholas ; Houle, Gabrielle ; Jackson, Julie ; Kerr, Darin ; London, Todd ; Maresh, Karin ; McDaniel, L Bailey ; McMahan, Matthew ; Moriarty, Julia ; Nelson, Laura M ; Nichols, Deana ; Rothmayer, Michael A ; Sautter, Richard ; Turner, Jeff ; Venning, Dan ; Vermillion, Alex ; Wellman, Elizabeth ; Wyman, Sarah
Publisher: University Alabama Press
Date: 12/12/2017
Binding: Paperback
Condition: NEW
A peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference.

Theatre History Studies is devoted to research in all areas of theatre studies, with special interest in archival research, historical documentation, and historiography. Many issues feature a special section curated around a special theme or topic; for 2017 that special section focus on histories of new writing for the theatre.

Featured in THEATRE HISTORY STUDIES 2017, VOLUME 36

  • "Resisting Arlecchino's Mask: The Case of Marcello Moretti" by Gabrielle Houle
  • "Making Space for Performance: Theatrical-Architectural Nationalism in Postindependence Ghana" by David Afriyie Donkor
  • "Preparing Boys for War: J. M. Barrie's Peter Pan Enlists in World War I's 'Great Adventure'" by Laura Ferdinand Feldmeyer
  • "Not Just Rock 'n' Roll: Chicago Theatre, 1984-1990" by Julie Jackson
  • "New Writing and Theatre History" by Sara Freeman
  • "New Plays in New Tongues: Bilingualism and Immigration at the New Italian Theatre in France" by Matthew McMahan
  • "The Waterloo Summer of the Prince of Wales's Theatre: New Writing, Old Friends, and Early Realism in the Victorian Theatre" by Shannon Epplett
  • "Chekhov's Three Sisters: A Proto-Poststructuralist Experiment" by Sarah Wyman
  • "Historicizing Shakesfear and Translating Shakespeare Anew" by Lezlie C. Cross
  • "A New Noble Kinsmen: The Play On! Project and Making New Plays Out of Old" by Martine Kei Green-Rogers and Alex N. Vermillion
  • "Making New Theatre Together: The First Writers' Group at the Royal Court Theatre and Its Legacy Within the Young Writers' Programme" by Nicholas Holden
  • "New Writing in a Populist Context: A Play, a Pie, and a Pint" by Deana Nichols
  • "American Playwriting and the Now New" by Todd London
  • The Robert A. Schanke Award-Winning Essay: "Black Folk's Theatre to Black Lives Matter: The Black Revolution on Campus" by La Donna L. Forsgren