| Author/Contributor(s): | Gray, Herman |
| Publisher: | University of California Press |
| Date: | 02/14/2005 |
| Binding: | Paperback |
| Condition: | NEW |
Gray considers how Wynton Marsalis and his creation of a jazz canon at Lincoln Center acted to establish cultural visibility and legitimacy for jazz. Other essays address such topics as the work of the controversial artist Kara Walker; the relentless struggles for representation on network television when those networks are no longer the primary site of black or any other identity; and how black musicians such as Steve Coleman and George Lewis are using new technology to shape and extend black musical traditions and cultural identities.