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| Author/Contributor(s): |
Pinder, Sherrow O
|
| Publisher: |
State University of New York Press
|
| Date: |
01/02/2022
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| Binding: |
Paperback
|
| Condition: |
NEW
|
In
Michael Jackson and the Quandary of a Black Identity, Sherrow O. Pinder explores the ways in which the late singer's racial identification process problematizes conceptualizations of race and the presentation of blackness that reduces blacks to a bodily mark. Pinder is particularly interested in how Michael Jackson simultaneously performs his racial identity and posits it against strict binary racial definitions, neither black nor white. While Jackson's self-fashioning deconstructs and challenges the corporeal notions of natural bodies and fixed identities, negative readings of the King of Pop fuel epithets such as weird or freak, subjecting him to a form of antagonism that denies the black body its self-determination. Thus, for Jackson, racial identification becomes a deeply ambivalent process, which leads to the fragmentation of his identity into plural identities. Pinder shows how Jackson as a racialized subject is discursively confined to a third space, a liminal space of ambivalence.
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