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| Author/Contributor(s): |
Benson, Bruce Ellis
|
| Publisher: |
Cambridge University Press
|
| Date: |
02/27/2003
|
| Binding: |
Paperback
|
| Condition: |
NEW
|
Whereas most books on the philosophy of music focus on the creation and reproduction of music, Bruce Benson's concern is the phenomenology of music making as an activity. He offers a radical thesis that improvization is of primary importance at the moment of music making. The book brings together a wide range of musical examples from classical music, jazz, early music and other genres. Incorporating analytic and continental philosophy, musicology and performance-practice issues, it is a provocative study for philosophers of art and musicologists. It also appeals to general readers; especially those who perform.
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