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| Author/Contributor(s): |
Salmoni, Steven
|
| Publisher: |
Chax Press
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| Date: |
01/01/2020
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| Binding: |
Paperback
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| Condition: |
NEW
|
One pleasure afforded by Steven Salmoni’ s wondrous A Day of Glass is the quiet judiciousness with which it traces the poet’ s necessarily imperfect efforts to delineate and place. But this critical attentiveness turns out to harbor something more intimate and tender: through our tracings we let the world trace itself within us, a reciprocity in which we don’ t so much make claims as let ourselves be claimed: “ On the other hand, the sea is not the other hand” ; “ To begin to drift / to remember the form you lose when, as drift, / the sea is unthinkable. If the wave is everywhere, the wave / is everywhere.” — Tenney Nathanson , Glass is a transparent substance made in part of sand. It can be used, with sand, to measure time, in a sandglass. Windows and greenhouses are made of it. A glass can be used to reflect the self, like a mirror. Glass can be container and ornament. You can drink from a glass. You can see better by wearing glass(es). Watery surfaces often resemble glass. Glass is surface through which the eye sees depth. It is at once a wall and a portal, a form that reveals its own incapacities. Philip Glass is a composer who deals in repetitions that open to reveal the beauty of differences. Steven Salmoni’ s A Day of Glass puts all these meanings into play. An illuminating meditation on art as reflection, and as constant movement. — Susan Schultz
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