{"product_id":"9781635901986","title":"Footlights: Critical Notebook 19701982","description":"\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"\"\u003e\u003cstrong\u003eAuthor\/Contributor(s):\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"\"\u003eDaney, Serge; Elliott, Nicholas\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"\"\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSemiotext(e)\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"\"\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e12\/12\/2023\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"\"\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"\"\u003ePaperback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"\"\u003eNEW\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cb\u003eThe early essays of the most influential French film critic of the post-68 period.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eThe Footlights\u003c\/i\u003e (1983) was the first book by Serge Daney, a film critic admired in his lifetime by Gilles Deleuze and Jean-Luc Godard and recognized since his premature death in 1992 as the most important French writer on film after André Bazin. \u003ci\u003eThe Footlights\u003c\/i\u003e stands apart in Daney’s body of work as the only collection of his essays he conceived of as a book, organizing his seminal pieces from \u003ci\u003eCahiers du Cinéma\u003c\/i\u003e by theme and linking them with original texts that reflect in a personal voice on the doubts, battles, and illuminations of a generation of film lovers inspired by the explorations of Lacanian theory and roused by the collective aspirations of Maoist dogma. In pieces on fellow travelers Godard and Straub\/Huillet, on films ranging from Pasolini’s \u003ci\u003eSaló\u003c\/i\u003e to Spielberg’s \u003ci\u003eJaws\u003c\/i\u003e, and on the difference between film language and television discourse, Daney offers a definitive portrait of an era of radical hope and disappointment.","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":44219645296895,"sku":"9781635901986","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0452\/0886\/2873\/files\/9781635901986_s600x595.jpg?v=1775589037","url":"https:\/\/massivebookshop.com\/de\/products\/9781635901986","provider":"MASSIVE BOOKSHOP","version":"1.0","type":"link"}